"Bourdieu’s concept of cultural capital refers to the collection of symbolic elements such as skills, tastes, posture, clothing, mannerisms, material belongings, credentials, etc. that one acquires through being part of a particular social class. Sharing similar forms of cultural capital with others—the same taste in movies, for example, or a degree from an Ivy League School—creates a sense of collective identity and group position (“people like us”). But Bourdieu also points out that cultural capital is a major source of social inequality. Certain forms of cultural capital are valued over others, and can help or hinder one’s social mobility just as much as income or wealth." (from Social Theory Re-Wired, retrieved 4/7/2018)
| Bourdieu | Whitehead |
|---|---|
| Cultural capital is a symbolic resource for social distinction. | Symbolic reference explains how those resources acquire emotional power and guide subjective experience. |
| Cultural capital is inherited, performed, and socially valued. | Symbolic reference is how we interpret, respond to, and internalize those performances. |
| Emphasis on social reproduction. | Emphasis on subjective feeling, creativity, and novelty in interpretation. |
| Domain | Type of Cultural Capital | Examples / Notes |
|---|---|---|
| Aesthetic | Clothing and Personal Style | Fashion choices that signal refinement, modesty, rebellion, or subcultural affiliation. |
| Artistic Tastes | Preferences for specific art styles or movements (e.g., abstract, realist, folk, religious). | |
| Musical Tastes | Genres admired in particular circles (e.g., jazz, gospel, punk, classical, country). | |
| Home Décor and Aesthetic Environment | Design style, curated objects, minimalist vs. maximalist preferences, symbolic motifs. | |
| Intellectual | Modes of Speech and Vocabulary | Accent, dialect, rhetorical polish, use of specialized or philosophical language. |
| Literary Tastes | Knowledge of classic or contemporary texts, genre preferences, interpretive fluency. | |
| Educational Background and Intellectual Literacy | Degrees, institutions, familiarity with key ideas, theories, or disciplines. | |
| Achievements | Books published, awards received, fellowships, leadership roles, recognitions. | |
| Social | Gestures and Bodily Comportment | Posture, eye contact, physical grace, mannerisms, formality or informality in movement. |
| Leisure Activities and Hobbies | Hiking, hunting, yoga, theatergoing, gardening, chess, or other culturally weighted pastimes. | |
| Social and Digital Presence | Online identity, platform style, tone, aesthetic, affiliations, and public visibility. | |
| Ethical / Political | Moral and Civic Alignments | Public expression of values: justice, liberty, tradition, equality, order, care, etc. |
| Participation in Civic or Community Life | Volunteering, voting, activism, religious participation, or local governance roles. | |
| Symbolic Affiliation and Signaling | Flags, pins, bumper stickers, hashtags, attire, slogans, public declarations of belief or cause. | |
| Ethical Consumption and Lifestyle | Boycotts, brand choices, eco-conscious habits, product use as symbolic expression of values. | |
| Material | Culinary Taste and Food Practices | Dietary choices (e.g., vegan, paleo), sourcing (local, organic), cooking methods, plating aesthetics. |
| Housing and Domestic Space | Type and style of home, location, visible lifestyle (e.g., curated minimalism, rural homestead). | |
| Transport Choices | Electric vehicles, bicycles, pickup trucks, car brands, or public transportation usage. | |
| Technology Ownership and Use | Device choice (e.g., Apple, Linux), smart tech, analog tools, visible tech skepticism. | |
| Consumer Goods and Brand Affiliation | Brand names in clothing, gear, kitchen appliances, or symbolic products with aesthetic alignment. | |
| Craftsmanship and Manual Skills | Woodworking, mending, gardening, DIY repairs, artisanal skills that carry symbolic meaning. | |
| Symbolic Objects and Heirlooms | Religious artifacts, family heirlooms, handmade gifts, repurposed objects with sentimental value. |
|
|
|
The Struggle for Cultural and Social PowerHis great subject was the struggle for power in society, especially cultural and social power. We all possess, he argued, certain forms of social capital. A person might have academic capital (the right degrees from the right schools), linguistic capital (a facility with words), cultural capital (knowledge of cuisine or music or some such) or symbolic capital (awards or markers of prestige). These are all forms of wealth you bring to the social marketplace. The Symbolic Warfare of TrumpBourdieu helps you understand what Donald Trump is all about. Trump is not much of a policy maven, but he’s a genius at the symbolic warfare Bourdieu described. He’s a genius at upending the social rules and hierarchies that the establishment classes (of both right and left) have used to maintain dominance. |
Competing with Others in the Symbolic MarketplaceEvery day, Bourdieu argued, we take our stores of social capital and our habitus and we compete in the symbolic marketplace. We vie as individuals and as members of our class for prestige, distinction and, above all, the power of consecration — the power to define for society what is right, what is “natural,” what is “best.” |
"Bourdieu’s concept of cultural capital refers to the collection of symbolic elements such as skills, tastes, posture, clothing, mannerisms, material belongings, credentials, etc. that one acquires through being part of a particular social class. Sharing similar forms of cultural capital with others—the same taste in movies, for example, or a degree from an Ivy League School—creates a sense of collective identity and group position (“people like us”). But Bourdieu also points out that cultural capital is a major source of social inequality. Certain forms of cultural capital are valued over others, and can help or hinder one’s social mobility just as much as income or wealth." (from Social Theory Re-Wired, retrieved 4/7/2018)
"Habitus is one of Bourdieu’s most influential yet ambiguous concepts. It refers to the physical embodiment of cultural capital, to the deeply ingrained habits, skills, and dispositions that we possess due to our life experiences.
Habitus also extends to our “taste” for cultural objects such as art, food, and clothing. In one of his major works, Distinction, Bourdieu links French citizens’ tastes in art to their social class positions, forcefully arguing that aesthetic sensibilities are shaped by the culturally ingrained habitus... Upper-class individuals, for example, have a taste for fine art because they have been exposed to and trained to appreciate it since a very early age, while working-class individuals have generally not had access to “high art” and thus haven’t cultivated the habitus appropriate to the fine art “game.” The thing about the habitus, Bourdieu often noted, was that it was so ingrained that people often mistook the feel for the game as natural instead of culturally developed. This often leads to justifying social inequality, because it is (mistakenly) believed that some people are naturally disposed to the finer things in life while others are not." (from Social Theory Re-Wired, retrieved 4/7/2018)
"Bourdieu understood the social world as being divided up into a variety of distinct arenas or “fields” of practice like art, education, religion, law, etc., each with their own unique set of rules, knowledges, and forms of capital. While fields can certainly overlap—education and religion, for example, overlap in many religiously-based colleges and universities in the United States—Bourdieu sees each field as being relatively autonomous from the others. Each field has its own set of positions and practices, as well as its struggles for position as people mobilize their capital to stake claims within a particular social domain." (from Social Theory Re-Wired, retrieved 4/7/2018)
“Influenced by Marx and Weber, Bourdieu considers the religious field as a “system of religious beliefs and practices as the more or less transfigured expression of the strategies of different categories of specialists competing for monopoly over the administration of the goods of salvation and of the different classes interested in their services.”33 Or, in Swartz’s formulation, a religious field is a situation in which “a group of religious specialists is able to monopolize the administration of religious goods and services. Religious capital is a power resource, since it implies a form of ‘objective dispossession’ by the constitution of a ‘laity’ who by definition are those without, yet in need of the valued resources controlled by specialists.”34 For Bourdieu, religion provides symbolic legitimation for the otherwise arbitrary structure of social and economic relations of a society. It adds symbolic reinforcement to the material conditions of existence by masking or disguising them as of ultimate or divine origin. Religion is “misrecognition” par excellence. The religious field is also a competition of specialists and laypersons as well as competition between opposing specialists within it. This competition provides the dynamic of the field, enabling the transformation of religious ideology. Following Weber, Bourdieu argues that, in addition to the laity, the major players in the field are priests and prophets. The priests maintain the practices and ideology of the religious institutions (his prime analogue was the medieval Catholic Church), and the prophets challenge the status quo. Thus, there are rivalries for spiritual authority within the religious field, and they establish a relatively autonomous subfield of scholars, the theologians. Bourdieu calls these subfields “clerical schisms,” wherein scholars seek intellectual distinction in the domain of doctrine and dogma.”