An Arts Collective Rooted in Process and Possibility
SPARKS is an act of imagination.
It does not yet exist as a community—at least not fully—and it may never come to be. Its projects (named below) are dreams; its vision, a hope.
And yet… it can exist. In fact, it already exists in nascent form.
Many individuals around the world are already creating pockets of hope through their music, poetry, short stories, art, and lives. They are channels of the possible.
Process philosophy offers an outlook on life—a way of seeing the world and acting in it—that can nourish these hopes. It takes possibility seriously. If enough people want it, nurture it, and help bring it to life—with time, energy, and care—SPARKS can become a shared reality.
Will you help spark it into being?
SPARKS
A Liminal Possibility
Mission
SPARKS is a creative community of artists, educators, social workers, and seekers dedicated to cultivating a compassionate and sustainable world. Rooted in process philosophy, we draw inspiration from poetry, music, theatre, film, sculpture, dance, gardening, and more as tools for healing, justice, and planetary care. We see creativity as a vital spark for healing, justice, and planetary care. You don’t need to be a professional artist to join—just bring your spark.
We believe in art as a form of activism, in performance as a way of thinking, and in process as a pathway toward a flourishing world for all beings.
Aesthetic
Our aesthetic is organic, open, and alive—rooted in the rhythms of the Earth, the complexity of human experience, and the improvisational nature of performance. We embrace beauty that is imperfect, evolving, and relational—textured with authenticity, struggle, and joy. We draw inspiration from the natural world, the vitality of community gatherings, and the spirit of collaborative creation. Earth tones with vibrant accents, handmade textures, flowing forms, and participatory spaces define our visual and experiential language.
We honor cultural traditions that center care for land, animals, ancestors, and community. Our design reflects care over consumption, presence over spectacle, and invitation over performance. Our values—care, creativity, courage, connection, and co-creation--.shape everything we do.
What does SPARKS stand for?
Sustainability
Possibility, Process, and Playfulness
A (a space for imagination)
Relationality
Kindness
Spirituality
Our projects include:
Seasonal Festivals (solstice and equinox celebrations)
Compassion Pods (small creative support circles)
Music Jams (open mic and improvisation sessions)
A Living Digital Archive (photos, videos, reflections, and stories)
Public Art and Performance Installations
Workshops and Retreats integrating arts, ecology, and justice
Some forms of art explicitly work with the living Earth. A signature initiative of SPARK, Seeds of Compassion and Creativity Across Borders, envisions gardens as living performances—expressions of care, cultural exchange, and ecological healing. A related form of art happens inside the home: cooking for family and friends using food ingredients that have been grown naturally and locally. Nourishing the World: Recipes for Community and Joy, celebrates cooking as a creative, communal, and earth-centered practice of love and care.
Process Philosophy
Everything is in process. Process philosophy affirms that reality is not made of static things but of dynamic relationships and unfolding experiences. Arts like community-making, music, and gardening express this truth through living, changing forms.
Creativity is at the heart of the universe. Each act of art-making is a response to the ongoing creative advance into novelty. Planting a seed, singing in harmony, or painting a wall is part of the universe’s improvisation—what Whitehead called creativity itself.
Relationality is fundamental. In process thought, nothing exists in isolation. Community arts and music both embody relational life: people finding meaning and identity in shared rhythms, gestures, and visions.
Value is felt and created. Every moment is a feeling moment—valuing, choosing, responding. Process philosophy understands value not as abstract but as felt experience. These quotes reflect value as felt in soil, sound, and solidarity.
Beauty is not a luxury but a need. Whitehead considered beauty a central aim of life—harmony, intensity, and contrast woven into experience. Artistic and ecological practices create beauty as a form of healing and renewal.
God is present as a lure toward wholeness. In process theology, God does not control but invites. The invitation may come through a melody, a neighbor’s hand in a mural, or a tomato vine reaching for sun. These practices respond to divine possibilities.
Communities are ecosystems of becoming. Community arts and gardening help build not only relationships but sustainable cultures—rooted in care for place, people, and planet.
Art is a mode of knowing. Beyond reason and logic, art reveals the truths of feeling, connection, and emergence. In process philosophy, this is a valid and vital form of knowledge—knowing through becoming.
1. Community Arts:"Making art with others is how we turn despair into beauty."
2. Theater:"Theater is rehearsal for a more loving and empathic world."
3. Performance Art:"Performance is how the soul stretches its arms toward justice."
4. Dance:"When we dance together under the open sky, we remember we belong not only to each other, but to the earth."
5. Music:"Music is how we find each other—voices rising, rhythms shared, a harmony of hearts across difference."
6. Poetry:"A poem is a seed of compassion planted in the heart of a broken world."
7. Painting:"Each brushstroke is a prayer for the planet, each color a memory of something wild and sacred."
8. Sculpture:"The planet sings in textures—tree bark, river stones, moss—and we respond with sculptures of care."
9. Mural Art:"A community mural isn’t just pigment on brick—it’s a neighborhood dreaming in color."
10. Photography:"Photography is how I listen with my eyes—each image a still moment that speaks volumes of presence, beauty, and truth."
11. Gardening Arts:"When I plant a seed, I feel like I'm composing a song with the soil. The melody grows slowly, shaped by sunlight, water, and time."
12. Culinary Arts:"Cooking is the art of turning ingredients into connection—each shared meal a bridge between hearts, a recipe for belonging."
13. Storytelling:"We build the future with shared stories, held hands, and open imaginations." 14. Filmmaking:"Filmmaking is collective dreaming—frame by frame, we imagine a better world into being and invite others to see through new eyes."
The Gardening Network: Cultivating Eco-Community
How Gardening Embodies Process Philosophy:
All life is process. In process philosophy, reality is not made of things but of becoming—living rhythms, seasonal transformations, births and decays. Gardening is a direct, participatory way to engage with this truth.
Each moment carries the past and shapes the future. The soil remembers. Seeds respond to inherited conditions—sunlight, nutrients, weather—but also hold the promise of something new. This reflects Whitehead’s idea of each moment as an act of creativity shaped by its past.
Creativity is the heartbeat of nature. Every sprouting leaf, curling vine, or shifting ecosystem is an expression of the creative advance into novelty. Gardening is our collaboration with that creativity—an improvisational act of hope.
Relationality is fundamental. In process thought, everything is interconnected. Gardening makes this visible: plants and pollinators, soil and sun, human hands and microbial life—all part of a living web of co-becoming.
Value is intrinsic, not instrumental. A carrot is not just food—it’s a moment of beauty, growth, and connection. Gardening invites us to appreciate plants, soil, and creatures for their own sake, aligning with process philosophy’s affirmation of intrinsic value.
God is present in growth and decay. In process theology, God is not a distant force but an inward lure toward vitality, harmony, and beauty—even in compost and death. Gardening becomes a sacred participation in this divine rhythm.
Nurturing is a form of justice. To tend a garden is to practice care and attention. Community gardens, food justice, and permaculture are process-relational forms of ecological and social healing.
The Earth is alive and responsive. Gardening helps us experience the land as a partner, not a backdrop. In process philosophy, even the soil has a kind of agency—a subtle responsiveness that invites respectful relationship.
Potential Projects Undertaken by the Gardening Network
“The Garden as Sacred Space” Reflection Circles Seasonal gatherings in gardens—urban, rural, or homegrown—where participants reflect on spiritual, ecological, and emotional connections to the land.
“Grow and Share” Community Garden Hubs Collaborative gardening spaces where people of all ages grow food, herbs, and flowers—sharing harvests, stories, and care for the earth.
“Composting Conversations” Ecological Workshops Educational programs connecting soil care and composting with philosophical and spiritual reflections on death, decay, and renewal.
“Gardens of Justice” Food Sovereignty Initiatives Partnering with local communities to create gardens in food deserts, emphasizing access, autonomy, and collective empowerment.
“Planting Peace” Interfaith Garden Projects Collaborative garden-building between diverse faith groups—rooted in process theology’s vision of shared becoming and ecological kinship.
“Children of the Earth” Youth Gardening Camps Nature-based programs for children that blend gardening with storytelling, music, and art—offering experiential education in ecology and relational living.
“Seeds of Memory” Healing Garden Installations Creating memorial or contemplative gardens for those grieving, remembering, or recovering—offering a space for spiritual and emotional healing in nature.
Photography Network: A Process-Philosophical Lens
How Photography Embodies Process Philosophy:
Moments are never static. In process philosophy, every moment is becoming—flowing from the past, shaped by the present, and leaning into the future. A photograph captures a moment in process, not to freeze it, but to honor its uniqueness within the flow.
Photography is an act of attention. Whitehead emphasized that perception begins with feelings and prehensions. Photography invites us to feel with our eyes—to prehend the world’s textures, contrasts, and harmonies through attentive seeing.
The world is relational. A photograph is never just of a thing—it’s of a relationship. Between light and shadow, subject and viewer, photographer and world. Process philosophy affirms these relational fields as the very fabric of reality.
Every image is a value-laden choice. To take a photo is to respond to what feels meaningful. Process thought values this subjective act of selection and interpretation as central to experience itself.
Beauty is a lure toward deeper seeing. In process philosophy, beauty is a harmony of contrasts with intensity. Photography reveals this beauty in overlooked places: cracked sidewalks, wrinkled hands, storm clouds, morning light. Each image becomes a lure to care.
The sacred hides in the ordinary. Process theology teaches that divine presence is in every moment—not as a distant ruler but as a gentle lure toward wholeness. Photography can disclose the sacred in the everyday: a child’s face, a tree’s shadow, an elder’s gaze.
Every photo is a conversation. Between the photographer, the photographed, and the viewer. In process thought, reality is dialogical, woven from encounters. Photography becomes a form of visual dialogue with the world.
Seeing is a moral and spiritual act. In a process-relational worldview, perception isn’t neutral—it is participatory. What and how we choose to see shapes the world we help co-create. The camera can be an instrument of justice, care, and celebration.
Potential Projects Undertaken by a Photography Network
“Everyday Sacred” Photo Essay Series A digital collection of images capturing beauty, struggle, and tenderness in everyday life—submitted by community photographers from diverse spiritual and cultural backgrounds.
“Faces of the Earth” Portrait Project A traveling exhibition featuring portraits of people who work closely with the land—farmers, gardeners, foragers, herbalists—honoring their relationship with soil, weather, and food.
“Seeing Justice” Visual Witness Campaign A visual advocacy project partnering with activists and organizers to document and uplift movements for racial, ecological, and economic justice through photography.
“Windows of Belonging” Community Workshops Intergenerational workshops where participants take photos that represent what belonging means to them, culminating in local exhibitions and storytelling circles.
“Climate + Memory” Photo Archive A long-term project collecting photos and testimonies about places impacted by climate change, helping communities preserve memories and mobilize for action.
“Stillness + Motion” Contemplative Photography Retreats Retreats for photographers exploring how slowing down and seeing deeply can become a spiritual practice aligned with process-relational values.
Poetry Network: A Process-Philosophical Tapestry of Language and Feeling
How Poetry Embodies Process Philosophy:
Reality is made of moments, not things. Poetry captures moments in motion—ephemeral experiences shaped by memory, emotion, place, and change. Process philosophy sees reality as a flow of such moments, each unique and relational.
Words are more than symbols—they carry feeling. For Whitehead, language isn’t just for describing facts; it’s a vehicle for “lures for feeling.” Poetry, more than any other form of writing, invites us into emotional resonance and ethical response.
Becoming precedes being. A poem often gives voice to what is still unfolding within us. It is a creative act of self-becoming, mirroring process thought’s view that we are not fixed substances but evolving experiences.
The world is interconnected and relational. Poetry reveals how seemingly separate things are connected—rain and memory, silence and truth, soil and soul. This poetic interconnection reflects the relational ontology at the heart of process philosophy.
Beauty is a lure for transformation. Process thought places beauty—especially tragic beauty—at the center of spiritual and moral life. A good poem doesn’t offer escape from pain, but a rhythm, image, or phrase that helps us live through it.
God is the poet of the world. In process theology, God is not a distant ruler but the source of fresh possibilities and harmony. Poetry mirrors this divine activity—bringing chaos into coherence, not by force but by rhythm, form, and invitation.
Creativity is the ultimate reality. Poetry is a celebration of creativity: the emergence of new meanings, new forms, and new connections. It echoes the central tenet of process thought that the universe itself is a creative advance into novelty.
Language is performance. Spoken or written, poetry is not just thought—it’s felt. It invites participation, reflection, and sometimes even transformation. Like process itself, poetry is a performance of becoming.
Potential Projects Undertaken by a Poetry Network
“Poetry as Prayer” Writing Circles Online and in-person gatherings where participants write and share poems as a form of spiritual expression—open to all traditions or none.
“Lures for Feeling” Monthly Open Mic A monthly event where poets share works inspired by themes from process philosophy (e.g., relationality, becoming, justice, beauty, uncertainty).
“Theopoetics of the Earth” Chapbook Series A collection of chapbooks published annually, weaving poetry and ecological awareness—highlighting voices that speak to the sacredness of land, water, and more-than-human life.
“Process Poets in the Schools” Outreach Program Workshops for youth focused on poetry as a way of exploring identity, connection, and creative agency—taught through a process-relational lens.
“Poetry + Protest” Solidarity Anthologies Collaborative poetry collections written in response to climate crises, racial injustice, gender violence, and other urgent social concerns—where poems function as acts of witness and hope.
“Whispers and Wildness” Poetry Walks Guided nature walks interspersed with readings and spontaneous writing, inviting participants to attune to the poetic voice of the landscape.
“Lines of Becoming” Poem-Mapping Project A community-sourced digital map where people submit short poems tied to locations—parks, porches, street corners—that carry personal or collective meaning.
Storytelling Network: Narrating a World in Process
How Storytelling Embodies Process Philosophy
The world is made of stories, not things. In process philosophy, reality is dynamic and event-based. Stories give shape to these events, helping us trace the becoming of selves, communities, and worlds.
Selves are becoming. A story is not just a recounting of what happened, but an act of self-creation. As we tell our stories, we participate in the process of becoming who we are. This mirrors Whitehead’s view of the self as a series of moments in creative formation.
Meaning emerges through relationship. Process thought affirms that all meaning arises in context and relation. Storytelling reveals how people, places, memories, and hopes are bound together in webs of significance.
Time is layered and alive. In process philosophy, the past is carried into the present and reshaped in each new moment. Storytelling brings past and present into conversation, often opening new possibilities for healing, action, or joy.
Creativity is how we survive and thrive. Telling stories—especially in times of rupture, grief, or change—is an act of resilience. It echoes the creative advance of the universe, where even chaos can be shaped into new beginnings.
God is the companion and co-narrator of our lives. In process theology, God is the poet of the world and the deep listener of our stories, offering lures toward healing and wholeness. Storytelling becomes a form of prayer and participation in this divine companionship.
Stories are lures for transformation. Like Whitehead’s "propositions," stories can function as lures for feeling—offering new insights, emotional resonance, and invitations to act with greater compassion and care.
Communities are built through shared narrative. Storytelling is a communal art that weaves people together across generations and cultures. It reflects the process vision of relationality at every level of existence.
Potential Projects Undertaken by a Storytelling Network
“Becoming Stories” Workshops Storytelling circles where participants reflect on moments of change, loss, or transformation in their lives—and reimagine them through a process-relational lens.
“Voices of the Land” Oral History Project A multi-generational project recording and preserving stories of people’s relationships with place, land, migration, and memory.
“Spiritual Autobiographies” Interfaith Series A series of storytelling events where people from diverse religious, philosophical, and spiritual backgrounds share formative moments in their spiritual journeys.
“Stories for the Common Good” Community Events Live storytelling gatherings centered around themes like healing, justice, belonging, and ecological care—open to storytellers of all kinds.
“My Grandmother’s Voice” Intergenerational Archive A storytelling initiative collecting and honoring the wisdom, humor, and resilience of elders, especially from historically marginalized communities.
“The First Time I Knew” Digital Story Collection A curated series of short digital stories (written, audio, or video) where people recount a moment they realized something deeply meaningful—about love, nature, faith, loss, or purpose.
“Narrative Justice” Story-Sharing for Social Change A project focused on amplifying the voices of those affected by systemic injustice—offering storytelling as a tool for advocacy and transformation.
Visual Arts Network: Seeing and Shaping a World in Process
How Visual Art Embodies Process Philosophy:
Reality is composed of events, not things. Visual art captures and expresses moments of experience—shifting perceptions, evolving emotions, and changing relationships. In process philosophy, each act of becoming is like a brushstroke in the unfolding canvas of the universe.
Art is the performance of feeling. Whitehead taught that all experience involves feeling. Visual art—whether abstract or representational—translates emotion, intuition, and atmosphere into visible form. It is the aesthetic of feeling made tangible.
Creativity is at the heart of reality. The universe is a creative advance into novelty. Artists, through collage, painting, drawing, or digital media, join in that advance—offering new perspectives, visions, and worlds.
Relationality shapes form. In process philosophy, nothing exists in isolation. Visual art emerges from relational fields—between artist and medium, viewer and image, memory and perception. Every piece reflects a web of influence and interaction.
Beauty includes contrast and complexity. Whitehead saw beauty not as simplicity but as harmony with intensity. The best visual art holds tension, nuance, and layered meaning—echoing the complexity of life itself.
The sacred can be found in color, line, and texture. Process theology sees God not as detached, but as present in all things. A visual artwork can become a portal to the sacred—revealing divine presence in the details of brushstrokes, forms, and creative risks.
Art is a response to the world’s call. Visual art is often born from social conditions, personal longings, or ecological awareness. It is how artists say, “This matters.” In process terms, this is a response to the lure of value.
The act of seeing is participatory. Viewers are not passive. Each interpretation is an act of co-creation. Visual art invites ongoing conversation—mirroring the process view that reality unfolds through participation and perception.
Potential Projects Undertaken by a Visual Arts Network
“Sacred Seeing” Exhibitions Curated shows (in galleries, gardens, and online) that explore themes like emergence, interconnection, becoming, and beauty through the lens of process thought.
“Brush with the Earth” Eco-Art Collaborations Artist residencies and group projects creating artworks with natural materials or ecological themes—honoring our relational existence within the more-than-human world.
“Contrast and Harmony” Pop-Up Galleries Short-term exhibitions featuring works that explore tension, movement, contradiction, and beauty—embracing complexity as a spiritual and aesthetic principle.
“Lines of Care” Visual Art & Social Healing Workshops Workshops where participants use art-making as a way to process grief, change, or hope—integrating color and line with storytelling and reflection.
“Process + Pattern” Abstract Art Labs Open studios or retreats focused on exploring abstract and process-based visual practices, encouraging experimentation, intuition, and flow.
“Coloring the Commons” Mural Projects Community murals co-designed and co-painted by local artists and residents—offering public art as a site for healing, identity, and collective imagination.
“Becoming Visible” Portraiture Series A visual project centering portraits of often-overlooked people and communities, emphasizing their agency, beauty, and relational dignity.
“The Art of Slow Looking” Contemplative Gallery Walks Guided visual meditations in museums, galleries, or nature installations—inviting participants to slow down, deepen perception, and reflect on the process nature of experience.
Music and Music-Making Network: Sounding the Rhythms of the World
How Music Embodies Process Philosophy:
Reality unfolds in rhythm. In process philosophy, the world is not a fixed system but a dynamic flow of events. Music, with its pulses, pauses, and progressions, mirrors the rhythmic unfolding of the universe itself.
Feeling is fundamental. Whitehead emphasized that feeling—not static thought—is the primary mode of existence. Music gives form to feeling. It makes joy, sorrow, wonder, and tension audible and shareable.
Becoming is improvisational. Music often emerges from listening, responding, and adapting—qualities central to both improvisation and process thought. To play music is to participate in the creative advance into novelty.
Relationality is at the heart of harmony. Notes don’t exist in isolation—neither do people. Music teaches interdependence: melody and accompaniment, call and response, silence and sound. This reflects the relational metaphysics of process thought.
Beauty includes dissonance. For Whitehead, beauty is not just harmony, but harmony with intensity. Music embraces tension and resolution, surprise and return. Dissonance gives beauty its edge and depth.
God is the composer of potential. In process theology, God does not control outcomes but offers new possibilities—like a jazz musician opening space for others to play. Music becomes a spiritual practice of listening to divine lures for wholeness, peace, and joy.
Music builds community. Singing together, playing in ensemble, or dancing to a beat creates shared feeling. In process thought, value is relational—and music is one of the most powerful ways to build and express shared value.
Sound is a form of knowledge. In process philosophy, knowledge isn’t only conceptual—it can be intuitive, emotional, and aesthetic. Music helps us know the world through vibration, resonance, and connection. It is epistemology through the ear.
Potential Projects Undertaken by a Music and Music-Making Network
“Music is What Feelings Sound Like” Listening Circles Small gatherings where participants bring and reflect on music that moves them—exploring the emotional and spiritual dimensions of sound.
“Improvising Together” Community Jam Sessions Open-format musical gatherings emphasizing listening, collaboration, and real-time co-creation—offered as models of relational process in action.
“Sacred Soundscapes” Interspiritual Concert Series Live or virtual performances that blend sacred musical traditions—highlighting how sound can express and unite spiritual longings across cultures.
“Process and Pulse” Music + Philosophy Dialogues Conversations and events where musicians and philosophers explore the connections between process thought and musical experience.
“Karaoke Kinship” Pop Culture + Community Nights Joyful, participatory karaoke events that use popular music as a springboard for belonging, humor, and relational joy—open to all voices, all vibes.
“Sounding Justice” Protest Music Archive and Performances A collection and performance series highlighting music from movements for justice—past and present—exploring how music lures people toward liberation and hope.
“Musical Mornings” with Elders Weekly singalongs or instrumental sessions in memory care or elder communities—drawing on music’s power to evoke connection and presence across memory loss.
“The Music of Plants” Experimental Eco-Music Project Using sensors to translate plant biofeedback into music, this project explores the sonic expressions of more-than-human life and invites awe and ecological kinship.
Cooking and Culinary Arts Network: Nourishing a World in Process
How Cooking Embodies Process Philosophy:
Life is a process of transformation. In process philosophy, everything is becoming—nothing stays the same. Cooking is a literal transformation: heat, time, and touch turn raw ingredients into nourishment. It’s creativity in motion.
The world is relational. Meals are never just about food—they are about people. Cooking connects farmers, cooks, cultures, and communities. Process thought affirms these interconnections as the foundation of reality.
Every act carries value. Process philosophy emphasizes that each moment matters. Chopping vegetables, setting the table, or seasoning soup is not trivial—it is sacred attention to life’s small but meaningful details.
Creativity is a daily ritual. The universe advances through creative expression, and so does the kitchen. Recipes evolve, ingredients adapt, flavors combine in surprising ways. Cooking is improvisational, just like existence.
Beauty is more than appearance. Whitehead defined beauty as harmony with intensity. A meal can be beautiful not just in how it looks, but in its flavor, aroma, texture, and the joy it brings when shared. Culinary beauty awakens the senses and opens the heart.
The sacred is in the ordinary. God, in process theology, is present in every experience. A bowl of soup made with love, shared among friends or strangers, can be as holy as a prayer.
Hospitality is a form of justice. Feeding others is a deeply relational and ethical act. Cooking for others—especially those who are hungry, grieving, or marginalized—is an embodiment of compassion and care.
Food is a language of belonging. Meals tell stories: of ancestry, migration, memory, and place. In process philosophy, identity unfolds through shared experience. Food is one of the most profound ways we say: you are welcome here.
Potential Projects Undertaken by a Cooking and Culinary Arts Network
“The Sacred Table” Interfaith Community Dinners Shared meals hosted by people of different traditions, celebrating food as a spiritual and relational practice across cultures and beliefs.
“Recipes of Resilience” Story-Centered Cookbook Project A collaborative digital and print cookbook that gathers recipes alongside personal stories of healing, migration, loss, celebration, and resilience.
“Process in the Kitchen” Cooking-as-Spiritual-Practice Retreats Daylong or weekend gatherings where participants explore cooking as a mindful, meditative, and creative spiritual practice rooted in process-relational values.
“Feeding Justice” Solidarity Cooking Circles Community cooking events that prepare meals for people experiencing food insecurity—centered around music, storytelling, and mutual care.
“The Scent of Memory” Culinary + Sensory Writing Workshops Writing and cooking sessions where participants create dishes from their childhoods or cultural roots, then write reflections on memory, flavor, and identity.
“Garden to Table” Eco-Culinary Collaborations Hands-on programs connecting community gardens with shared kitchens—emphasizing seasonal, local, and sustainable food systems.
“The Art of Leftovers” Improvisational Cooking Nights A creative practice night where people bring scraps or leftover ingredients, cook collaboratively, and reflect on improvisation, resourcefulness, and abundance.
“Cooking with Elders” Intergenerational Recipe Archive A living oral history and cooking project where younger folks cook with elders, record their recipes and wisdom, and celebrate food as cultural inheritance.
Theatre Network: Performing the World in Process
How Theatre Embodies Process Philosophy:
Reality is performance. In process philosophy, being is doing. Every entity is an act of becoming. Theatre reflects this: characters, scenes, and relationships are not fixed but evolve through action, emotion, and intention.
Time unfolds through drama. Theatre unfolds in time, moment by moment—just like the world. Each line, movement, or silence carries the past, responds to the present, and shapes what comes next. This mirrors Whitehead’s view of the world as a series of experiential events.
Improvisation reveals the truth of becoming. Improvisational theatre is especially processual: it thrives on openness, risk, and spontaneity. In life as in improv, we respond to what comes, co-create reality, and adapt with creativity and care.
Stories are relational. Theatre arises from relationships—between characters, actors, audience, and space. In process thought, meaning and identity are always co-created. Theatre makes this visible and visceral.
Emotion is not separate from thought. Whitehead argued that feelings shape all experience. Theatre engages the whole self—mind, body, emotion, and imagination—offering audiences and performers a deeply embodied form of knowing.
Beauty arises from contrast and complexity. Theatrical performances hold joy and sorrow, comedy and tragedy, light and shadow. In process philosophy, true beauty includes these contrasts, woven into patterns of harmony and intensity.
God is a co-actor, not a scriptwriter. In process theology, God offers possibilities, not certainties. Theatre reflects this divine improvisation: scripts may guide, but the real performance unfolds in the moment—with freedom, responsiveness, and surprise.
The stage is a site of transformation. Theatre can unsettle, heal, or inspire. Like process thought, it lures us toward becoming more whole, more connected, more awake to the suffering and beauty of the world.
Potential Projects Undertaken by a Theatre Network
“Theatre as Spiritual Practice” Performance Workshops Guided explorations of theatre games, monologue work, and group performance as pathways to inner growth, communal presence, and sacred expression.
“Improvising Justice” Applied Improv for Social Change Interactive workshops using improvisational techniques to explore social issues, build empathy, and develop creative responses to systemic injustice.
“Plays in Process” Living Script Lab A collaborative incubator for playwrights developing new work through feedback, improvisation, and staged readings—emphasizing theatre as a fluid, evolving process.
“Sacred Scripts” Traditional Theatre Reimagined Performances and adaptations of classic plays and sacred texts (e.g. The Tempest, Job, Antigone) interpreted through a process-relational lens, highlighting themes of becoming, agency, and transformation.
“Playback for the Planet” Eco-Theatre Events Community performances where actors dramatize audience stories about nature, climate grief, and ecological hope—helping people feel seen, heard, and connected.
“The Polydrama Project” Collective Ensemble Storytelling Nonlinear, multi-voice theatrical performances that resist singular narratives—embracing complexity, difference, and improvisational structure to reflect the diverse stories of a community.
“Stage of Memory” Theatre with Elders Intergenerational theatre programs where elders share life stories that are shaped into scenes or monologues and performed by youth or local actors—honoring memory and relational wisdom.
“Spirit of Yes” Improvisation for Everyday Life Workshops that teach the principles of improv—presence, listening, saying “yes”—as tools for spiritual practice, community building, and navigating change