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“The Red Wheelbarrow,” like so many Williams poems, is experimental. It lacks punctuation, relies on erratic or unusual lineation, and generally dissolves the traditional boundaries between one thing, or idea, and another. He had a famous maxim, “No ideas but in things,” which I take to mean that to speak about ideas, emotions, and abstractions, we must ground them firmly in the things of the world.
- Craig Morgan Teicher, Poetry Foundation
- Craig Morgan Teicher, Poetry Foundation